Austen’s treatment of irony in Pride and Prejudice.
Q.04.
Comment on Austen’s treatment of irony in Pride
and Prejudice.
Ans: One
of the most prominent features of the literary style of Jane Austen is her
frequent use of irony. In fact, in no other book is her use of irony more
pronounced than in Pride and Prejudice. In Pride and Prejudice,
Jane Austen employs a variety of irony, verbal, thematic, situational, and
dramatic.
The title of the
novel contains a hidden strain of thematic irony. Jane Austen subtly introduces an inversion in
the thematic foibles, ‘Pride’ and ‘Prejudice’ and the characters they belong
to. It is Darcy who is supposed to have the pride and Elizabeth who is supposed
to have the prejudice.
Verbal irony is
present in profusion in Pride and Prejudice. The
oft-quoted opening sentence of the novel is one of the finest examples of
verbal irony:
“It is truth universally acknowledged
that a single man in possession of a good fortune must be in want of a wife”.
The statement in fact encapsulates the
ambitions of the empty headed Mrs. Bennet, and her desire to find a good match
for each of her five daughters. Sometimes the characters are unconsciously
ironic, as Mrs. Bennet and Mr. Collins. Mr. Bennet and Elizabeth serve to
directly express the author's ironic opinion. Elizabeth is to some extent
similar to her father’s cynicism. At the second ball, not only does she reject
Darcy’s request to dance with her, but also mocks him with comments like “Mr. Darcy is all politeness”, and “I am perfectly convinced by it that Mr.
Darcy has no defect”. Her speeches
crackle with irony that is filled with pep and display vibrant humor.
Dramatic irony is
at work when the audience knows something that the character doesn’t, is seen
mainly through Elizabeth and Darcy. Elizabeth is critical of Jane’s blindness
to others’ faults. This criticism is
filled with irony, because Elizabeth herself is blind to the true character of
Darcy because of her prejudice against him. Also, Darcy was blind to his love
when he declines to dance with Elizabeth. In addition, when the Gardiners are
talking about a future mistress of Pemberley, they don’t know that Darcy had
proposed to Elizabeth and that she could have been that mistress now. This
gives a clear example of a dramatic irony.
The focal point
of the story’s situational irony is Darcy’s falling in love with Elizabeth.
Mr.Darcy, who once called Elizabeth “tolerable;
but not handsome enough to tempt (him)”, gets captivated by her fine
countenance, and ends up admitting that:
“… it is many months since I have
considered [Elizabeth] as one of the handsomest women of my acquaintance.”
Likewise, Elizabeth, who starts out
hating Mr. Darcy with a passion, ends up marrying him. There is a fine streak of irony in her
response to Charlotte’s engagement and her own subsequent leniency towards
materialism at the first sight of Pemberley: “To be mistress of Pemberley might be something!" Elizabeth
tells Mr. Collins that she is not the type of a woman to reject the first
proposal and accept the second but does exactly this when Darcy proposes her
second time.
Irony in
character is even more prominent than irony of situation. It is ironical that
Elizabeth who prides herself on her perception and disdains Jane’s blindness to
realities, is herself blinded by her own prejudice. Darcy always thought
himself to be a gentleman but his own proposal to Elizabeth is quite
ungentlemanly. Wickham is graceful to look at, but at heart he is an unredeemed
villain. The Bingley Sisters hate the Bennets for their vulgarity but are
themselves vulgar in their behaviour. Lady Catherine de Bourgh views herself to
be a graceful lady, but is an equally self-conceited and haughty woman. Mr.
Collins always boasts of himself as a clergyman, but is an ironical portrait of
self-satisfied sycophancy and pomposity. Thus, the novel abounds in irony of
characters.
To conclude, the
irony of Jane Austin is not tinged with any bitterness, nor does she reflect
her cynicism. Rather her irony can be termed comic. Irony is used by Jane Austin
in Pride
and Prejudice to expose the hypocrisy and pretentiousness of
contemporary English society.
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